โฆ โฆ โฆ
๐๐ข๐ช๐ณ๐บ ๐ต๐ข๐ญ๐ฆ๐ด ๐ข๐ฏ๐ฅ ๐ณ๐ฆ๐ข๐ญ๐ช๐ต๐บ ๐ข๐ณ๐ฆ ๐ค๐ฐ๐ฏ๐ค๐ฆ๐ฑ๐ต๐ด ๐ด๐ฐ ๐ฅ๐ช๐ง๐ง๐ฆ๐ณ๐ฆ๐ฏ๐ต ๐ง๐ณ๐ฐ๐ฎ ๐ฐ๐ฏ๐ฆ ๐ข๐ฏ๐ฐ๐ต๐ฉ๐ฆ๐ณ, ๐ต๐ฉ๐ฆ๐บ ๐ด๐ฉ๐ฐ๐ถ๐ญ๐ฅ๐ฏโ๐ต ๐ฆ๐น๐ช๐ด๐ต ๐ช๐ฏ ๐ต๐ฉ๐ฆ ๐ด๐ข๐ฎ๐ฆ ๐ธ๐ฐ๐ณ๐ญ๐ฅ. ๐๐ฉ๐ฆ ๐ด๐ต๐ฐ๐ณ๐บ ๐ช๐ฏ ๐ธ๐ฉ๐ช๐ค๐ฉ ๐ต๐ฉ๐ฆ ๐ฎ๐ข๐ช๐ฅ ๐ฅ๐ฆ๐ง๐ช๐ฆ๐ด ๐ฉ๐ฆ๐ณ ๐ด๐ต๐ฆ๐ฑ๐ฎ๐ฐ๐ต๐ฉ๐ฆ๐ณ, ๐จ๐ฐ๐ฆ๐ด ๐ต๐ฐ ๐ต๐ฉ๐ฆ ๐ฃ๐ข๐ญ๐ญ, ๐ข๐ฏ๐ฅ ๐ฅ๐ข๐ฏ๐ค๐ฆ๐ด ๐ธ๐ช๐ต๐ฉ ๐ต๐ฉ๐ฆ ๐ฑ๐ณ๐ช๐ฏ๐ค๐ฆ ๐ช๐ด๐ฏโ๐ต ๐ฉ๐ฐ๐ธ ๐ณ๐ฆ๐ข๐ญ ๐ญ๐ช๐ง๐ฆ ๐ธ๐ฐ๐ณ๐ฌ๐ด. ๐๐ฐ๐ณ ๐๐ฆ๐ญ๐ญ๐ข ๐๐ข๐ฎ๐ฃ๐ฆ๐ณ๐ต, ๐ณ๐ฆ๐ข๐ญ ๐ญ๐ช๐ง๐ฆ ๐ช๐ด ๐ฅ๐ช๐ด๐ข๐ฑ๐ฑ๐ฐ๐ช๐ฏ๐ต๐ช๐ฏ๐จ. ๐๐ฆ๐ข๐ญ ๐ญ๐ช๐ง๐ฆ ๐ฎ๐ฆ๐ข๐ฏ๐ด ๐ธ๐ฐ๐ณ๐ฌ๐ช๐ฏ๐จ ๐ง๐ฐ๐ณ ๐ฉ๐ฆ๐ณ ๐ด๐ต๐ฆ๐ฑ๐ง๐ข๐ต๐ฉ๐ฆ๐ณ ๐ช๐ฏ ๐ฆ๐น๐ค๐ฉ๐ข๐ฏ๐จ๐ฆ ๐ง๐ฐ๐ณ ๐ฉ๐ฆ๐ณ ๐ข๐ฏ๐ฅ ๐ฉ๐ฆ๐ณ ๐ด๐ช๐ด๐ต๐ฆ๐ณโ๐ด ๐ง๐ณ๐ฆ๐ฆ๐ฅ๐ฐ๐ฎ. ๐๐ต๐ต๐ฆ๐ฏ๐ฅ ๐ต๐ฉ๐ฆ ๐ฑ๐ข๐ณ๐ต๐บ, ๐ด๐ต๐ฆ๐ข๐ญ ๐ต๐ฉ๐ฆ๐ช๐ณ ๐ด๐ฆ๐ค๐ณ๐ฆ๐ต๐ด, ๐ข๐ฏ๐ฅ ๐ญ๐ถ๐ณ๐ฆ ๐ต๐ฉ๐ฆ ๐ฎ๐ข๐ง๐ช๐ข ๐ฑ๐ณ๐ช๐ฏ๐ค๐ฆ ๐ช๐ฏ.
๐๐ช๐ค๐ฐ ๐๐ฐ๐ณ๐ด๐ฆ๐ต๐ต๐ช ๐ช๐ด๐ฏโ๐ต ๐ข ๐ฑ๐ณ๐ช๐ฏ๐ค๐ฆ ๐ต๐ฉ๐ฐ๐ถ๐จ๐ฉ. ๐๐ฆโ๐ด ๐ต๐ฉ๐ฆ ๐ค๐ข๐ญ๐ญ๐ฐ๐ถ๐ด ๐๐ฏ๐ฅ๐ฆ๐ณ๐ฃ๐ฐ๐ด๐ด ๐ธ๐ฉ๐ฐ ๐ฉ๐ถ๐ฏ๐ต๐ด ๐ฉ๐ช๐ด ๐ฑ๐ณ๐ฆ๐บ ๐ถ๐ฏ๐ต๐ช๐ญ ๐ฉ๐ฆโ๐ด ๐ด๐ข๐ต๐ช๐ด๐ง๐ช๐ฆ๐ฅ ๐ช๐ฏ ๐ฉ๐ช๐ด ๐ท๐ฆ๐ฏ๐จ๐ฆ๐ข๐ฏ๐ค๐ฆ. ๐๐ฉ๐ฆ๐ฏ ๐๐ฆ๐ญ๐ญ๐ข ๐ฃ๐ฆ๐ค๐ฐ๐ฎ๐ฆ๐ด ๐ฉ๐ช๐ด ๐ต๐ข๐ณ๐จ๐ฆ๐ต, ๐ฉ๐ฆ ๐ธ๐ฐ๐ฏโ๐ต ๐ด๐ต๐ฐ๐ฑ ๐ค๐ฉ๐ข๐ด๐ช๐ฏ๐จ ๐ฉ๐ฆ๐ณ, ๐ฆ๐ท๐ฆ๐ฏ ๐ธ๐ฉ๐ฆ๐ฏ ๐ฉ๐ฆ๐ณ ๐ฃ๐ฆ๐ต๐ณ๐ข๐บ๐ข๐ญ ๐ฅ๐ฆ๐ฎ๐ข๐ฏ๐ฅ๐ด ๐ฉ๐ฆ๐ณ ๐ฅ๐ฆ๐ข๐ต๐ฉ. ๐๐ฏ ๐ต๐ฉ๐ฆ ๐ฆ๐ฏ๐ฅ, ๐ณ๐ฆ๐ข๐ญ ๐ญ๐ช๐ง๐ฆ ๐ช๐ด๐ฏโ๐ต ๐ข ๐ง๐ข๐ช๐ณ๐บ ๐ต๐ข๐ญ๐ฆ ๐ข๐ฏ๐ฅ ๐ต๐ฉ๐ฆ ๐ฑ๐ณ๐ช๐ฏ๐ค๐ฆ ๐ช๐ด ๐ด๐ช๐ฎ๐ฑ๐ญ๐บ ๐ข๐ฏ๐ฐ๐ต๐ฉ๐ฆ๐ณ ๐ค๐ฐ๐ฏ๐ต๐ณ๐ฐ๐ญ๐ญ๐ช๐ฏ๐จ ๐ท๐ช๐ญ๐ญ๐ข๐ช๐ฏ.
โฆ โฆ โฆ
โฆ โฆ โฆ
I pocket the phone again, opting to keep it
until Iโm satisfied, and turn back toward my waiting vehicle, walking over the
two dead men on my way. By the time Iโm in front of the driverโs side door, I
have one of The Elixir staff on the phone.
โThereโs something you need to deal with out
here,โ is all I bark into the phone before hanging up and focusing on Della,
who still stands on the sidewalk, a little dumbfounded. I know she wonโt run
because I have something of hers, and clearly, sheโs scared at what Iโll learn
about her, which means safety is now secondary from her perspective.
โGet in.โ
She looks around, her big eyes scanning the
street before glancing toward the dead men. Debate rolls over her expression in
the form of a downturned mouth before she side-steps them and walks toward the
car, stopping on the passenger side. I watch her, brows lifting slowly as I
silently command her to enter the vehicle.
โDonโt make me repeat myself. Men have died for
less.โ
โYou wouldnโt kill a woman.โ
Some made men wonโt because they view women as people
too gentle to do harm, to be needing protection instead; that if they were to
harm them, they have an unfair advantage. I donโt think like that because itโs
sometimes women who are the nastiest of snakes. They use their gender as
protection, knowing they can do anything and walk away unscathed. Women and men
are equal in their ability to lie, steal, cheat, and betray, and for that, I will
hurt a woman if the situation calls for it.
โYou donโt know what Iโll do, so if you value
your life, get inside the car.โ
She levels her gaze at the vehicle. โFirst, my
phone.โ
My teeth grind together, annoyance working at
my nerves. Itโs like sheโs completely forgotten the part about her being in my
debt, not the other way around.
Gripping the top of my door, Iโm seconds away
from going around the car and throwing her ass in the back myself. โYou are in
no place to bargain, Della. Last time Iโm repeating myself. Get in the fucking
car or Iโll find you a place to sit, and I promise, you wonโt enjoy it.โ
The skin between her eyes furrows and her nose
does this cute little flaring thing as the spark of fight is still lit inside
her, but she finally obeys me and ducks inside the car.
Fucking Christ. I donโt know what Iโm getting into with this
woman, but already, Iโm exhausted trying to figure it out. I slip into the
driverโs seat and immediately start the car, suddenly eager to get back home
and be alone with her.
In my peripheral vision, I watch how she
squirms, pressing her legs together and moving her body as far away from me as
possible, right up against the passenger door. Her head is angled away,
watching as we drive down Sainte-Catherine Street.
She remains silent, wisely not asking for her
cellphone again. I maneuver us quickly through the other vehicles on the road,
managing to make it to the highway in record time, then up toward the Corsetti
mansion.
As I pull off toward my house, I wonder how she
made it there the first time. Mentally, I list the things Iโve learned about
her, and what I actually know about her. Her name certainly isnโt Anna, but if
thatโs what she went with, it means there was an Anna on the guest list. Did
Della know and choose a name that would guarantee to get her inside or did the
name end up on the list because she managed to get it there? Who was Anna
supposed to be? Who brought her to my mansion, and why? Is this some giant ploy
to get close to me and she created this whole persona to do just that? The girl
I met last night avoided me at the party though, so why would she run off when
she gained my attention? Or is that part of the game sheโs conducting?
And why do I feel like Iโm part of some
malevolent plan? I design the games, no one else, and Della will learn
this very soon.
I pull into the driveway, throwing the car into
park, and leave it right in front of the house, rather than inside the
multi-car garage we have. Iโll get someone to put it away later. Before exiting
the car, I take her cell from my pocket and toss it onto her lap. The only use
it has is gaining her submission, and now that weโre at my house, her phone is
meaningless.
โNext time, donโt leave it around a strangerโs
house.โ
She grasps it eagerly, barely glancing at it
before sliding it into her small purse. Strange, for someone to be so excited
about their technology and not even give it the attention Iโd assume she would
have.
I get out of the car and by the time I make it
to her side, sheโs also opening the door. Finally learning the rules.
โCome.โ
Without looking at her, I enter the mansion, walking
past the single soldier stationed by the door. Sheโll follow because she has
nowhere else to go. I lead us down the hallways and toward my office.
At the doorway, I stand aside, letting her go
first. She stops at the door and glances wearily at me, her brows dipping over
her eyes.
โHow do I know you wonโt hurt me once we get in
there?โ
โThat depends. Do you deserve to be hurt?โ
Her lips press together and instead of
responding, she enters my office. Her silence tells me everything though.
Sheโs stacking up her falsities, but theyโll
all come crashing down soon. Liars can only maintain deceit for so long before
they crack. And Iโll be the one to make her crack. To shatter and spread those
broken pieces.
Sheโll reveal everything before long.
โฆ โฆ โฆ
Read the FIRST CHAPTER today!
โฆ โฆ โฆ
M.L. Philpitt is Canadian-born and raised, and enjoys representing Canada within her novels. As a Ravenclaw, she loves education, having undergraduate degrees in English Literature and Sociology, a certificate in Autism and Behavioural Sciences, and a MA in Counselling Psychology.
She writes in various romance new adult genres including paranormal, fantasy, dark romance, and contemporary. She has lots of crazy trapped in her head for readers to enjoy.
When M.L. Philpitt isnโt making up stories, sheโs devouring those imagined by other authors. Her love of reading began when she was a young child and only grew with age. She enjoys many genres, as reflected in her writing preferences.
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